For those of you with two years of jackassworld.rip on your Interweb resumé, you will surely remember our friend Jesse "Mister" Merlin*. Well, aside from once shocking the absolute shit out of JxPx Blackmon's nipples, Jesse is also famous for his basso profundo theatrical presence. I was fortunate to first catch this lighter side of him on-stage for Julien Nitzberg's production The Beastly Bombing, but now, due to my geographically undesirable status, I am unfortunately unable to see him perform in Re-Animator: The Musical—and if you caught the drift of all those "un-" words, yes, I am very, very unhappy about this.
You see, like any good First World American, my timeline on Earth is not marked by milestones of great personal achievement, heartwarming family tradition, or any other significant life-reaffirming factor, but rather those of campy, pop-culture crap. Star Wars
was the first real game-changer in my life when it hit the big screen in 1977, but once I happily settled into my mid-teenage years of arrested development and tasteless tastes it was the movies of John Waters
, H.G. Lewis
, Russ Meyer
, David Cronenberg
and several other cult film-makers that I turned to for immoral solace and guidance.
Stuart Gordon's Re-Animator
(1985) was one such film, and I do believe that if my life ever does the proverbial flash-before-my-eyes prior to the big "Lights Out!" moment, one of the premiere fleeting scenes will be me watching in awe as a disembodied head goes down on Barbara Crampton while she's laying naked on a gurney. I was 16-years-old then and still had no clue what I could possibly go on to do in my future professional life, but it really was one of those "Come to Jesus" moments when I knew I wanted to aim subversively low—and I did, by god, I did!
So when I received an email from Jeff Tremaine last week telling me that he and Rick Kosick had gone to see Jesse in Re-Animator: The Musical at the Steve Allen Theater, I nearly went out and kicked some howler monkey's testicles in a fit of jealous rage. Fortunately Tremaine is man of few typed words, so the extent of his review was this: "It's completely ridiculous and amazing, and the audience gets drenched in blood." A theatrical production on par with a Gwar
concert? Count me in! Only—fuck!—I'm not! Several thousand miles of "not" in fact, but so it goes. From the reviews the production has been garnering, though, it is doing rather well—really well, in fact—so who knows... who knows... who knows. There may still be a chance I can catch the show if I manage to wash up State-side in the not too distant future.

Please note: 1) Yes, that is Norm from Cheers
zombified above; and 2) No, I would never actually kick a howler monkey in the balls. Besides a certain animal cruelty factor, I honestly don't think these masochistic monkeys would feel a damn thing the way they dribble their balls like misbegotten basketballs throughout the hard wood of the forest. And believe me, after I'd admitted to harboring a longtime cult crush on Ms. Crampton to Jesse and he, in turn, sent the photo below with a modern day Ms. Crampton, I would want severe testicular discomfort to be felt.

What gore could you ask for in a theatrical production? Don't miss Re-Animator: The Musical in Los Angeles! Show times, ticket info and more can be found here and there:
http://www.reanimatorthemusical.com/news.html
http://www.facebook.com/ReAnimatorTheMusical
* Footnote trivia time: Jesse appeared briefly in the credits of jackass 3D but will soon be maximized in jackass 3.5 come April alongside Chris Pontius's wood chipped pecker!